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France was at this time the theatre of dreadful events. The Saracens and the Christians, in numerous encounters, slew one another. On one occasion Rinaldo led an attack on the infidel columns, broke and scattered them, till he found himself opposite to a knight whose armor (whether by accident or by choice, it matters not) bore the blazon of Orlando. It was Dardinel, the young and brave prince of Zumara, and Rinaldo remarked him by the slaughter he spread all around. "Ah," said he to himself, "let us pluck up this dangerous plant before it has grown to its full height." As Rinaldo advanced, the crowd opened before him, the Christians to let his sword have free course, the Pagans to escape its sweep. Dardinel and he stood face to face. Rinaldo exclaimed, fiercely, "Young man, whoever gave you that noble buckler to bear made you a dangerous gift; I should like to see how you are able to defend those quarterings, red
rich palace, built of marble, and adorned with sculptures executed by a master hand. Into this edifice, through a golden door, the giant passed, and Rogero followed; but, on looking round, saw nowhere either the giant or Bradamante. He ran from room to room, calling aloud on his cowardly foe to turn and meet him; but got no response, nor caught another glimpse of the giant or his prey. In his vain pursuit he met, without knowing them, Ferrau, Florismart, King Gradasso, Orlando, and many others, all of whom had been entrapped like himself into this enchanted castle. It was a new stratagem of the magician Atlantes to draw Rogero into his power, and to secure also those who might by any chance endanger his safety. What Rogero had taken for Bradamante was a mere phantom. That charming lady was far away, full of anxiety for her Rogero, whose coming she had long expected. The Emperor had committed to her charge the city and garrison of
Cloridan, who saw Medoro fall, could contain himself no longer. He rushed from his concealment, threw down his bow, and, sword in hand, seemed only desirous of vengeance for Medoro, and to die with him. In a moment, pierced through and through with many wounds, he exerts the last remnant of his strength in dragging himself to Medoro, to die embracing him. The cavaliers left them thus to rejoin Zerbino, whose rage against the murderer of Medoro had drawn him away from the spot. Cloridan died; and Medoro, bleeding copiously, was drawing near his end when help arrived. A young maiden approached the fallen knights at this critical moment. Her dress was that of a peasant-girl, but her air was noble, and her beauty celestial; sweetness and goodness reigned in her lovely countenance. It was no other than Angelica, the Princess of Cathay.
Marseilles, and she held the post against the infidels with valor and discretion. One day Melissa suddenly presented herself before her. Anticipating her questions, she said, "Fear not for Rogero; he lives, and is as ever true to you; but he has lost his liberty. The fell enchanter has again succeeded in making him a prisoner. If you would deliver him, mount your horse and follow me." She told her in what manner Atlantes had deceived Rogero, in deluding his eyes with the phantom of herself in peril. "Such," she continued, "will be his arts in your own case, if you penetrate the forest and approach that castle. You will think you behold Rogero, when, in fact, you see only the enchanter himself. Be not deceived, plunge your sword into his body, and trust me when I tell you that, in slaying him, you will restore not only Rogero, but with him many of the bravest knights of France, whom the wizard's arts have withdrawn from the camp of their sovereign."
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